قراءات إضافية | علم الجمال: مقدمة قصيرة جدًّا

Heather Ahtone, Designed to Last: Striving towards an Indigenous American Aesthetics, International Journal of the Arts in Society 4 (2009): 373–85.
Zainab Bahrani, The Graven Image: Representation in Babylonia and Assyria (Philadelphia: University of Pennsylvania Press, 2003).
H. Gene Blocker, Non-Western Aesthetics as a Colonial Invention, Journal of Aesthetic Education 35 (2001): 3–13.
Stephen Davies, Balinese Aesthetics, Journal of Aesthetics and Art Criticism 65/1 (2007): 21–9.
Susan L. Feagin (ed.), Global Theories of Art and Aesthetics, Special issue of Journal of Aesthetics and Art Criticism 65/1 (2007).
Dominic Lopes, Shikinen Sengu and the Ontology of Architecture in Japan, Journal of Aesthetics and Art Criticism 65 (2007): 77–84.
Philip Rawson, The Methods of Zen Painting, British Journal of Aesthetics 7 (1967): 315–38.
Yuriko Saito, The Moral Dimension of Japanese Aesthetics, Journal of Aesthetics and Art Criticism 65/1 (2007): 85–97.
Susan P. Walton, Aesthetic and Spiritual Correlations in Javanese Gamelan Music, Journal of Aesthetics and Art Criticism 65/1 (2007): 31–41.
Robert Wicks, The Idealization of Contingency in Traditional Japanese Aesthetics. Journal of Aesthetic Education 39 (2005): 88–101.
Ajume H. Wingo, African Art and the Aesthetics of Hiding and Revealing, British Journal of Aesthetics 38 (1998): 251–64.

Franz Boas, Primitive Art (Cambridge, Mass.: Harvard University Press, 1927).
Whitney Davis, A General Theory of Visual Culture (Princeton: Princeton University Press, 2011).
Roger Fry, Vision and Design (London: Chatto and Windus, 1920).
Clifford Geertz, The Interpretation of Cultures (New York: Basic Books, 1973).

Peg Brand (ed.), Beauty Matters (Bloomington, Ind.: Indiana University Press, 2000).
Peg Brand and Mary Devereaux (eds), Women, Art, and Aesthetics, Special issue of Hypatia 18/4 (2003).
Anne Eaton, Why Feminists Shouldn’t Deny Disinterestedness, In: L. Ryan Musgrave (ed.), Feminist Aesthetics and Philosophy of Art: The Power of Critical Visions and Creative Engagement (New York: Springer, 2017).
Sherri Irvin, Body Aesthetics (Oxford: Oxford University Press, 2016).
Carolyn Korsmeyer, Gender and Aesthetics (London: Routledge, 2004).
Paul C. Taylor, Black is Beautiful: A Philosophy of Black Aesthetics (New York: Wiley, 2016).

Monroe Beardsley, Aesthetics, 2nd edition (Indianapolis: Hackett, 1981).
Edward Bullough, “Physical Distance” as a Factor in Art and as an Aesthetic Principle, British Journal of Psychology 5 (1912): 87–98.
John Dewey, Art as Experience (New York: Putnam, 1934).
Frank Sibley, Aesthetic and Nonaesthetic, The Philosophical Review 74/2 (1965): 135–59.
Jerome Stolnitz, Aesthetics and Philosophy of Art Criticism (New York: Houghton Mifflin, 1960).

Malcolm Budd, Values of Art (London: Allen Lane, 1995).
Noël Carroll, Beyond Aesthetics (Cambridge: Cambridge University Press, 2001).
Diarmuid Costello, Kant and the Problem of Strong Non-perceptual Art, British Journal of Aesthetics 53 (2013): 277–98.
Robert Hopkins, Picture, Image and Experience: A Philosophical Inquiry (Cambridge: Cambridge University Press, 1998).
Matthew Kieran, Revealing Art (London: Routledge, 2005).
John Kulvicki, On Images: Their Structure and Content (Oxford: Oxford University Press, 2006).
Derek Matravers, Aesthetic Properties, Proceedings of the Aristotelian Society Supplementary Volume 79 (2005): 191–210.
Aaron Meskin, Mark Phelan, Margaret Moore, and Matthew Kieran, Mere Exposure to Bad Art, British Journal of Aesthetics 53 (2013): 139–64.
Elisabeth Schellekens, Towards a Reasonable Objectivism for Aesthetic Judgements, British Journal of Aesthetics 46/2 (2006): 163–77.
Kendall L. Walton, Categories of Art, Philosophical Review 79 (1970): 334–67.
Richard Wollheim, Painting as an Art (Princeton: Princeton University Press, 1987).
Nick Zangwill, The Metaphysics of Beauty (Ithaca, NY: Cornell University Press, 2001).