زائر

تسجيل الاشتراك

لديك حساب؟ تسجيل دخول

  • ePub Logo
  • PDF Logo
  • Kindle Logo

المراجع

  • Alexander, M., Lenahan, P., and Pavlov, A. (2005) Cinemeducation: A Comprehensive Guide to using Film in Medical Education. Radcliffe, Oxford.
  • Allport, G. (1965) Letters from Jenny. Harcourt Brace, New York, NY.
  • Althusser, L. (1977) For Marx. New Left Books, London.
  • American Film Institute. (2007) AFI’s 100 Years … 100 Movies-10th Anniversary Edition. Available from http://www.afi.com/100years/movies10.aspx (accessed April 13, 2011).
  • American Psychiatric Association. (2000) Diagnostic and Statistical Manual of the Mental Disorders, 4th edn., text rev./DSM-IV. APA, Washington, DC.
  • Anderson, D. R., Fite, K.V., Petrovich, N., and Hirsch, J. (2006) Cortical activation while watching video montage: An fMRI study. Media Psychology, 8, 7–24.
  • Anderson, J. A. (1998) Qualitative approaches to the study of the media: Theory and methods of hermeneutic empiricism, in Research Paradigms, Television, and Social Behavior (eds J. K. Asaman and G. L. Berry). Sage, Thousand Oaks, CA, pp. 205–268.
  • Anderson, J. D. (1996) The Reality of Illusion: An Ecological Approach to Cognitive Film Theory. Southern Illinois University Press, Carbondale, IL.
  • Andrew, J. D. (1976) The Major Film Theories: An Introduction. Oxford University Press, London.
  • Ang, I. (1985) Watching Dallas: Soap Opera and the Melodramatic Imagination. Methuen, New York, NY.
  • Aristotle (1967) Poetics. University of Michigan Press, Ann Arbor, MI.
  • Arnheim, R. (1957) Film as Art. University of California Press, Berkeley, CA.
  • Austin, B. A. (1981) Portrait of a cult film audience: The Rocky Horror Picture Show. Journal of Communication, 31 (2), 43–54.
  • Austin, B. A. (1989) Immediate Seating: A Look at Movie Audiences. Wadsworth, Belmont, CA.
  • Ballon, B. and Leszcz, M. (2007) Horror films: Tales to master terror or shapers of trauma? American Journal of Psychotherapy, 61 (2), 211–230.
  • Bandura, A. (2009) Social cognitive theory of mass communication, in Media Effects: Advances in Theory and Research, 3rd edn. (eds J. Bryant and M.B. Oliver), Routledge, Taylor and Francis, New York, NY, pp. 94–124.
  • Bandura, A., Ross, D., and Ross, S. A. (1963) Imitation of film-mediated aggressive models. Journal of Abnormal and Social Psychology, 66 (1), 3–11.
  • Banerjee, S. C., Greene, K., Krcmar, M., Bagdasarov, Z., and Ruginyte, D. (2008) The role of gender and sensation seeking in film choice: Exploring mood and arousal. Journal of Media Psychology, 20 (3), 97–105.
  • Barsam, R. and Monahan, D. (2010) Looking at Movies: An Introduction to Film, 3rd edn. W. W. Norton, New York, NY.
  • Baum, L. L. (F.) (2008) The Wizard of Oz. Puffin Books, London.
  • Baxter, J. (1999) Woody Allen: A Biography. Carroll & Graf, New York, NY.
  • Bazin, A. (1967) What is Cinema? University of California Press, Los Angeles, CA.
  • Berg-Cross, L., Jennings, P., and Baruch, R. (1990) Cinematherapy: Theory and application. Psychotherapy in Private Practice, 8 (1), 135–156.
  • Bertolucci, B., Shaw, F., and Mawson, C. (2003) The inner and outer worlds of the filmmaker’s temporary social structure, in The Couch and the Silver Screen: Psychoanalytic Reflections on European Cinema (ed. A. Sabbadini), Brunner-Routledge, New York, NY, pp. 19–34.
  • Bettelheim, B. (1975) The Uses of Enchantment: The Meaning and Importance of Fairy Tales. Random House, New York.
  • Bischoff, R. J. and Reiter, A. D. (1999) The role of gender in the presentation of mental health clinicians in the movies: Implications for clinical practice. Psychotherapy, 36 (2), 180–189.
  • Bjorkman, S. (ed) (1994) Woody Allen on Woody Allen. Grove Press, New York, NY.
  • Bleich, D. (1978) Subjective Criticism. Johns Hopkins University Press, Baltimore, MD.
  • Bloch, R. (1989) Psycho. Tor Books, New York, NY.
  • Block, J. J. (2007) Lesson from Columbine: Virtual and real rage. American Journal of Forensic Psychiatry, 28 (2) 5–33.
  • Blumer, H. (1933) Movies and Conduct. Macmillan, New York, NY.
  • Blumer, H. and Hauser, P. M. (1933) Movies, Delinquency, and Crime. Macmillan, New York, NY.
  • Blumler, J. G. and Katz, E. (1974) The Uses of Mass Communications: Current Perspectives on Gratifications Research. Sage, Beverly Hills, CA.
  • Bordwell, D. (1985) Narration in the Fiction Film. University of Wisconsin Press, Madison, WI.
  • Bordwell, D. (1989a) Making Meaning: Inference and Rhetoric in the Interpretation of Cinema. Harvard University Press, Cambridge, MA.
  • Bordwell, D. (1989b) A case for cognitivism. Iris, 9, 11–40.
  • Bordwell, D. and Carroll, N. (eds) (1996) Post-Theory: Reconstructing Film Studies. University of Wisconsin Press, Madison, WI.
  • Bordwell, D., Staiger, J., and Thompson, K. (1985) The Classical Hollywood Cinema: Film Style and Mode of Production to 1960. Columbia University Press, New York, NY.
  • Bozzuto, J. C. (1975) Cinematic neurosis following The Exorcist: Report of four cases. Journal of Nervous and Mental Disease, 161 (1), 43–48.
  • Brandell, J. R. (2004) Celluloid Couches, Cinematic Clients: Psychoanalysis and Psychotherapy in the Movies. State University of New York Press, Albany, NY.
  • Branigan, E. (1992) Narrative Comprehension and Film. Routledge, London.
  • Breuer, J. and Freud, S. (1957) Studies on Hysteria. Basic Books, New York, NY.
  • Brummett, B. (1985) Electronic literature as equipment for living: Haunted house films. Critical Studies in Mass Communication, 2, 247–261.
  • Bruner, J. (1986) Actual Minds, Possible Worlds. Harvard University Press, Cambridge, MA.
  • Bruner, J. (1990) Acts of Meaning. Harvard University Press, Cambridge, MA.
  • Bryant, J. and Oliver, M.B. (eds) (2009) Media Effects: Advances in Theory and Research, 3rd edn. Routledge, Taylor & Francis, New York, NY.
  • Bryant, J. and Vorderer, P. (eds) (2006) Psychology of Entertainment. Lawrence Erlbaum, New York, NY.
  • Bryant, J. and Zillmann, D. (eds) (1991) Responding to the Screen: Reception and Reaction Processes. Lawrence Erlbaum, Hillsdale, NJ.
  • Bryant, J. and Zillmann, D. (2009) A retrospective and prospective look at media effects, in The Sage Handbook of Media Processes and Effects (eds R.L. Nabi and M. B. Oliver), Sage, Thousand Oaks, CA, pp. 9–18.
  • Burke, K. (1966) Language as Symbolic Action. University of California Press, Berkeley, CA.
  • Burke, K. (1973) The Philosophy of Literary Form: Studies in Symbolic Action. University of California Press, Berkeley, CA.
  • Burke, K. (1984) Permanence and Change: An Anatomy of Purpose, 3rd edn. University of California Press, Berkeley, CA.
  • Busselle, R. and Crandall, H. (2002) Television viewing and perception about race differences in socioeconomic success. Journal of Broadcasting & Electronic Media, 46 (2), 265–282.
  • Camp, M. E., Webster, C. R., Coverdale, T. R., Coverdale, J. H., and Nairn, R. (2010) The Joker: A dark night for depictions of mental illness. Academic Psychiatry, 34 (2), 145–149.
  • Campbell, J. (1968) The Hero with a Thousand Faces. Princeton University Press, Princeton, NJ.
  • Cantor, J. (1998) ‘Mommy I’m Scared’: How TV and Movies Frighten Children and What We Can Do To Protect Them. Harcourt Brace, Orlando, FL.
  • Cantor, J. (2009) Fright reactions to mass media, in Media Effects: Advances in Theory and Research, 3rd edn (eds J. Bryant and M. B. Oliver), Routledge, Taylor & Francis, New York, NY, pp. 287–303.
  • Cantor, J. and Omdahl, B. L. (1999) Children’s acceptance of safety guidelines after exposure to televised dramas depicting accidents. Western Journal of Communication, 63 (1), 57–71.
  • Cantor, J., Wilson, B. J., and Hoffner, C. (1986) Emotional responses to a televised nuclear holocaust film. Communication Research, 13 (2), 257–277.
  • Carroll, N. (1988) Mystifying Movies: Fads and Fallacies in Contemporary Film Theory. Columbia University Press, New York, NY.
  • Carroll, N. (1999) Film, emotion, and genre, in Passionate Views: Film, Cognition, and Emotion (eds C. Plantinga and G. M. Smith), John Hopkins University Press, Baltimore, MD, pp. 21–47.
  • Casetti, F. (1999) Theories of Cinema: 1945–1995. University of Texas Press, Austin, TX.
  • Cassirer, E. (1955–1957) The Philosophy of Symbolic Forms, Vol. 1–3. Yale University Press, New Haven, CT.
  • Centerwall, B. S. (1993) Television and violent crime. Public Interest, 111, 56–70.
  • Chatman, S. (1978) Story and Discourse: Narrative Structure in Fiction and Film. Cornell University Press, Ithaca, NY.
  • Cocks, G. (1991) Bringing the Holocaust home: The Freudian dynamics of Kubrick’s ‘The Shining’. Psychoanalytic Review, 78 (1), 103–125.
  • Cohen, A. J. (2004) Woody Allen and Freud, in Celluloid Couches, Cinematic Clients: Psychoanalysis and Psychotherapy in the Movies (ed. J. R. Brandell), State University of New York Press, Albany, NY, pp. 127–146.
  • Cohen-Shalev, A. and Raz, A. (2008) Poetry of unadulterated imagination: The late style of Akira Kurosawa. Psychology of Aesthetics, Creativity, and the Arts, 2 (1), 34–41.
  • Cole, M. (1996) Cultural Psychology: A Once and Future Discipline. Harvard University Press, Cambridge, MA.
  • Collins, R.L., Elliott, M. N., Berry, S. H., Kanouse, D. E., Kunkel, D., Hunter, S. B., and Miu, A. (2004) Watching sex on television predicts adolescent initiation of sexual behavior. Pediatrics, 114 (3), 280–289.
  • Corliss, R. (1992, August 31) Scenes from a break up. Time, 54–58.
  • Cowan, G., Lee, C., Levy, D., and Snyder, D. (1988) Dominance and inequality in X-rated videocassettes. Psychology of Women Quarterly, 12, 299–311.
  • Coyne, S. and Whitehead, E. (2008) Indirect aggression in animated Disney films. Journal of Communication, 58, 382–395.
  • Crews, F. (1995) The Memory Wars. The New York Review of Books, New York, NY.
  • Csikszentmihalyi, M. (1997) Finding Flow: The Psychology of Engagement with Everyday Life. Basic Books, New York, NY.
  • D’Arminio, A. (2011, April 22/29) Harry Potter and the Deathly Hallows, Part II. Entertainment Weekly, 26–30.
  • Davis, G. (2008) Praising it New: The Best of the New Criticism. Swallow Press, Athens, OH.
  • Diamond, D., Wrye, H., and Sabbadini, A. (2007) Prologue. Psychoanalytic Inquiry, 27 (4), 367–380.
  • Dine Young, S. (1996) Movies as Equipment for Living: Symbolic Action in the Viewing of Film (unpublished doctoral dissertation). Clark University, Worcester, MA.
  • Dine Young, S. (2000) Movies as equipment for living: A developmental analysis of the importance of film in everyday life. Critical Studies in Media Communication, 17 (4), 447–468.
  • Dine Young, S., Boester, A., Whitt, M. T., and Stevens, M. (2008) Character motivation in the representations of mental health professionals in popular film. Mass Communication and Society, 11 (1), 82–99.
  • Domino, G. (1983) Impact of the film One Flew Over the Cuckoo’s Nest on the attitudes towards mental illness. Psychological Reports, 53, 179–182.
  • Dyer, R. (1998) Stars. British Film Institute, London.
  • Dylan, B. and Shepard, S. (1986) Brownsville Girl. On Knocked Out Loaded [CD]. Columbia, New York, NY.
  • Eber, M. and O’Brien, J. (1982) Psychotherapy in the movies. Psychotherapy: Theory, Research, and Practice, 19 (1), 116–120.
  • Ebert, R. (1986) Roger Ebert’s Movie Home Companion 1987 Edition. Andrews, McMeel and Parker, Kansas City, MO.
  • Edelson, M. (1993) Telling and enacting stories in psychoanalysis and psychotherapy: Implications for teaching psychotherapy. Psychoanalytic Study of the Child, 48, 293–325.
  • Ekman, P. (2007) Emotions Revealed: Recognizing Faces and Feelings to Improve Communication and Emotional Life, 2nd edn. Owl Books, New York, NY.
  • Elms, A. C. (1994) Uncovering Lives: The Uneasy Alliance of Biography and Psychology. Oxford University Press, New York, NY.
  • Elms, A. C. (2005) Freud as Leonardo: Why the first psychobiography went wrong, in Handbook of Psychobiography (ed. W. T. Schultz), Oxford University Press, New York, NY, pp. 210–222.
  • Erikson, E. H. (1962) Young Man Luther: A Study in Psychoanalysis and History. W.W. Norton, New York, NY.
  • Eron, L. D. (1963) Relationship of TV viewing habits and aggressive behavior in children. The Journal of Abnormal and Social Psychology, 67 (2), 193–196.
  • Farber, S. and Green, M. (1993) Hollywood on the Couch: A Candid Look at the Overheated Love Affair between Psychiatrists and Moviemakers. William Morrow, New York.
  • Fisch, S. M. (2009) Educational television and interactive media for children: Effects on academic knowledge, skills, and attitudes, in Media Effects: Advances in Theory and Research, 3rd edn. (eds J. Bryant and M. B. Oliver), Routledge, Taylor & Francis Group, New York, NY, pp. 402–435.
  • Fischoff, S., Dimopoulos, A., Nguyen, F., and Gordon, R. (2002-2003) Favorite movie monsters and their psychological appeal. Imagination, Cognition, and Personality, 22 (4), 401–426.
  • Fiske, J. (1989) Understanding Popular Culture. Unwin Hyman, Boston, MA.
  • Fivush, R. and Haden, C. A. (2003) Autobiographical Memory and Construction of a Narrative Self: Developmental and Cultural Perspectives. Lawrence Erlbaum, Mahwah, NJ.
  • Fleming, M. and Manvell, R. (1985) Images of Madness: The Portrayals of Insanity in the Feature Film. Associated University Presses, Cranbury, NJ.
  • Forrester, J. (1998) Dispatches from the Freud Wars: Psychoanalysis and its Passions. Harvard University Press, Cambridge, MA.
  • Fournier, G. (2007) Thelma & Louise and Women in Hollywood. McFarland, Jefferson, NC.
  • Freedberg, D. (1989) The Power of Images: Studies in the History and Theory of Response. University of Chicago Press, Chicago, IL.
  • Freedman, J. L. (2002) Media Violence and its Effect on Aggression: Assessing the Scientific Evidence. University of Toronto Press, Toronto.
  • Freud, S. (1955) The Uncanny, in The Standard Edition of the Complete Psychological Works of Sigmund Freud, Vol. 17 (ed. J. Strachey), Hogarth Press, London, pp. 217–256.
  • Freud, S. (1957) Leonardo da Vinci and a memory of his childhood, in The Standard Edition of the Complete Psychological Works of Sigmund Freud, Vol. 6 (ed. J. Strachey), Hogarth Press, London, pp. 63–137.
  • Freud, S. (1959) Creative writers and day-dreaming, in The Standard Edition of the Complete Psychological Works of Sigmund Freud, Vol. 9 (ed. J. Strachey), Hogarth Press, London, pp. 143–153.
  • Freud, S. (1960a) Jokes and their Relation to the Unconscious. W. W. Norton, New York, NY.
  • Freud, S. (1960b) The Ego and the Id.: W. W. Norton, New York, NY.
  • Fuller, K. H. (1996) At the Picture Show: Small-Town Audiences and the Creation of Movie Fan Culture. Smithsonian Institution Press, Washington, DC.
  • Gabbard, G. O. (2001) Psychotherapy in Hollywood cinema. Australasian Psychiatry, 9 (4), 365–369.
  • Gabbard, G. O. and Gabbard, K. (1999) Psychiatry and the Cinema, 2nd edn, American Psychiatric Press, Washington, DC.
  • Gentile, D. A. (2003) Media Violence and Children: A Complete Guide for Parents and Professionals. Praeger, Westport, CT.
  • Gerbner, G., Gross, L., Morgan, M., Signorielli, N., and Shanahan, J. (2002) Growing up with television: Cultivation processes, in Media Effects: Advances in Theory and Research, 2nd edn. (eds J. Bryant and D. Zillmann), Lawrence Erlbaum, Hillsdale, NJ, pp. 43–67.
  • Giles, D. (2003) Media Psychology. Routledge, Taylor and Francis, New York, NY.
  • Gladstein, G. A. and Feldstein, J. C. (1983) Using film to increase counselor empathetic experiences. Counselor Education and Supervision, 23 (2), 125–131.
  • Gladwell, M. (2005) Blink: The Power of Thinking Without Thinking. Little, Brown, New York, NY.
  • Gladwell, M. (2008) Outliers: The Story of Success. Little, Brown, New York, NY.
  • Glantz, S. A., Kacirk, K. W., and McCulloch, C. (2004) Back to the future: Smoking in movies in 2002 compared with 1950 levels. American Journal of Public Health, 94 (2), 261-262.
  • Grace, M. (2006) Reel Fulfillment: A 12-Step Plan for Transforming your Life through Movies. McGraw-Hill, New York, NY.
  • Granello, D. H., Pauley, P. S., and Carmichael, A. (1999) Relationship of the media to attitudes toward people with mental illness. Journal of Humanistic Counseling, Education, and Development, 38 (2), 98–110.
  • Gray, J. (1993) Men are From Mars, Women are From Venus. HarperCollins, New York, NY.
  • Greenberg, B. S. (1994) Content trends in media sex, in Media, Children, and the Family: Social, Scientific, Psychodynamic, and Clinical Perspectives (eds O. Zillmann and J. Bryant), Lawrence Erlbaum, Hillsdale, NJ, pp. 165–181.
  • Greenberg, H. R. (1975) The movies on your mind. Saturday Review Press, New York, NY and E. P. Dutton.
  • Greenberg, H. R. (1993) Screen Memories: Hollywood Cinema on the Psychoanalytic Couch. Columbia University Press, New York, NY.
  • Greenberg, H. R. (2003) La-La Land meets DSM-IV: The pleasures and pitfalls of celluloid diagnostics. Psychiatric Services, 54 (6), 807-808.
  • Gregerson, M. B. (2010) Story board: The ‘Filmist’ fall of the cinematic fourth wall, in The Cinematic Mirror for Psychology and Life Coaching (ed. M.B. Gregerson), Springer, New York, NY, pp. 1–16.
  • Grimes, T., Anderson, J. A., and Bergen, L. (2008) Media Violence and Aggression: Science and Ideology. Sage, Thousand Oaks, CA.
  • Grodal, T. (1997) Moving Pictures: A New Theory of Film Genres, Feelings, and Cognition. Oxford University Press, New York.
  • Gunter, B. (2002) Media Sex: What are the Issues? Lawrence Erlbaum, Mahwah, NJ.
  • Hall, C. (1999) A Primer of Freudian psychology. Meridian, New York, NY.
  • Hall, S. (1980) Encoding/decoding, in Culture, Media, Language: Working Papers in Cultural Studies (eds S. Hall, S. Hobson, A. Lowe, and P. Willis), Hutchinson Press, London, pp. 128–138.
  • Hamilton, J. W. (1978) Cinematic neurosis: A brief case report. Journal of the American Academy of Psychoanalysis, 6 (4), 569–572.
  • Harris, R. J. (1999) A Cognitive Psychology of Mass Communication, 3rd edn. Lawrence Erlbaum, Mahwah, NJ.
  • Harris, R. J. and Barlett, C. P. (2009) Effects of sex in the media, in Media Effects: Advances in Theory and Research, 3rd edn. (eds J. Bryant and M.B. Oliver), Routledge, Taylor & Francis, New York, pp. 362–401.
  • Harrison, K. and Cantor, J. (1999) Tales from the screen: Enduring fright reactions to scary media. Media Psychology, 1, 97–116.
  • Haskell, M. (1973) From Reverence to Rape: The Treatment of Women in Movies. Holt, Rinehart, and Winston, New York, NY.
  • Hazan, A. R., Lipton, H. L., and Glantz, S. A. (1994) Popular films do not reflect current tobacco use. American Journal of Public Health, 84 (6), 998–1000.
  • Hesley, J. W. and Hesley, J. G. (2001) Rent Two Films and Let’s Talk in the Morning: Using Popular Movies in Psychotherapy, 2nd edn. John Wiley & Sons, Inc., New York, NY.
  • Hill, A. (1999) Risky business: Film violence as an interactive phenomenon, in Identifying Hollywood’s Audiences: Cultural Identity and the Movies (eds M. Stokes and R. Maltby), British Film Institute, London, pp. 175–186.
  • Hill, G. (1992) Illuminating Shadows: The Mythic Power of Film. Shambhala, Boston, MA.
  • Hills, M. (2002) Fan Cultures. Routledge, Taylor & Francis, New York, NY.
  • Hinds, M. (1993, October 19) Not like the movie: A dare leads to death. The New York Times. Available from http://www.nytimes.com/ (accessed June 10, 2011).
  • Hochberg, J. (1989) The perception of moving images. Iris, 9, 41–68.
  • Hoekstra, S. J., Harris, R. J., and Helmick, A. L. (1999) Autobiographical memories about the experience of seeing frightening movies in childhood. Media Psychology, 1, 117–140.
  • Hoffner, C. (1995) Adolescents’coping with frightening mass media. Communication Research, 22 (3), 325–346.
  • Hoffner, C. and Cantor, J. (1991) Factors affecting children’s enjoyment of a frightening film sequence. Communication Monographs, 58, 41–62.
  • Hogan, P. C. (2003) Cognitive Science, Literature, and the Arts: A Guide for Humanists. Routledge, Taylor & Francis, New York, NY.
  • Holland, N. (1975) Five Readers Reading. Yale University Press, New Haven, CT.
  • Holland, N. (1986) I-ing Film. Critical Inquiry, 12, 654–671.
  • Holland, N. (1989) The Dynamics of Literary Response. Columbia University Press, New York, NY.
  • Holland, N. (2006) Meeting Movies. Associated University Presses, Cranbury, NJ.
  • Holling, H. C. (1980) Paddle-to-the-Sea. Sandpiper, Riverside, UT.
  • Hopcke, R. H. (1989) Dorothy and her friends: Symbols of gay male individuation in ‘The Wizard of Oz’. Quadrant: Journal of the C. G. Jung Foundation for Analytical Psychology, 22 (2), 65–77.
  • Horowitz, J. (2008) Woody Allen explains his love of Scarlett Johansson and why he doesn’t do Broadway. Available from http://www.mtvnews.com/articles/1579782/woody-allen-explains-his-love-scarlett-johansson.jhtml (accessed August 1, 2011).
  • Horrigan, P. E. (1999) Widescreen Dreams: Growing Up Gay at the Movies. The University of Wisconsin Press, Madison, WI.
  • Hubert, W. and de Jong-Meyer, R. (1991) Autonomic, neuroendocrine, and subjective responses to emotion-inducing film stimuli. International Journal of Psychophysiology, 11, 131–140.
  • Huesmann, L. R. and Eron, L.D. (1986) Television and the Aggressive Child: A Cross-National Comparison. Lawrence Erlbaum, Hillsdale, NJ.
  • Huesmann, L. R. and Taylor, L.D. (2003) The case against the case against media violence, in Media Violence and Children: A Guide for Parents and Professionals (ed. D. A. Gentile), Praeger, Westport, CT, pp. 107–130.
  • Hyde, J. (2005) The gender similarities hypothesis. American Psychologist, 60 (6), 581–592.
  • Hyler, S. E., Gabbard, G. O., and Schneider, I. (1991) Homicidal maniacs and narcissistic parasites: Stigmatization of mentally ill persons in the movies. Hospital and Community Psychiatry, 42 (10), 1044–1048.
  • Iaccino, J. F. (1998) Jungian Reflections within the Cinema: A Psychological Analysis of Sci-Fi and Fantasy Archetypes. Praegers, Westport, CT.
  • Indick, W. (2004) Movies and the Mind: Theories of Great Psychoanalysts Applied to Film. McFarland, Jefferson, NC.
  • Internet Movie Database (2011) IMDB Top 250 Movies as Voted by Our Users. Available from http://www.imdb.com/chart/top (accessed April 13, 2011).
  • Iser, W. (1974) The Implied Reader: Patterns of Communication in Prose Fiction from Bunyan to Beckett. The John Hopkins University Press, Baltimore, MD.
  • Jamieson, P. E., Romer, D., and Jamieson, K. H. (2006) Do films about mentally disturbed characters promote ineffective coping in vulnerable youth? Journal of Adolescence, 29, 749–760.
  • Johnson, B. R. (1980) General occurrence of stressful reactions to commercial motion pictures and elements in films subjectively identified as stressors. Psychological Reports, 47 (3, Pt 1), 775–786.
  • Jones, G. (2002) Killing Monsters: Why Children Need Fantasy, Super Heroes, and Make-Believe Violence. Basic Books, New York, NY.
  • Jorm, A. F. (2000) Mental health literacy: Public knowledge and beliefs aboutmental disorders. British Journal of Psychiatry, 177, 396–401.
  • Jowett, G. S. and O’Donnell, V. (1992) Propaganda and Persuasion, 2nd edn. Sage, Newbury Park, CA.
  • Jung, C. (1964) Man and his Symbols. Dell, New York, NY.
  • Jung, C. (1969) The Archetypes and the Collective Unconscious. Princeton University Press, Princeton, NJ.
  • Kael, P. (1976) Reeling. Little, Brown, Boston, MA.
  • Kaplan, E. A. (1990) Psychoanalysis and Cinema. Routledge, New York, NY.
  • Katz, E., Blumler, J. G., and Gurevitch, M. (1974) Utilization ofmass communication by the individual, in The Uses of Mass Communications: Current Perspectives on Gratifications Research (eds J. G. Blumler and E. Katz), Sage, Beverly Hills, CA, pp. 19–34.
  • Kerby, J., Calton, T., Dimambro, B., Flood, C., and Glazebrook, C. (2008) Antistigma films and medical students’ attitudes towards mental illness and psychiatry: Randomised controlled trial. Psychiatric Bulletin, 32, 345–349.
  • Key, W. B. (1973) Subliminal Seduction: Ad Media’s Manipulation of a Not So Innocent America. Signet, New York, NY.
  • Keyser, L. (1992) Martin Scorsese. Twayne, New York, NY.
  • Kirsh, S. J. (2006) Children, Adolescents, and Media Violence: A Critical Look at the Research. Sage, Thousand Oaks, CA.
  • Knobloch-Westerwick, S. (2006) Mood management: Theory, evidence, and advancements, in Psychology of Entertainment (eds J. Bryant and P. Vorderer), Lawrence Erlbaum, New York, NY, pp. 239–254.
  • Kondo, N. (2008) Mental illness in film. Psychiatric Rehabilitation Journal, 31 (3), 250–252.
  • Koukounas, E. and Over, R. (1997) Male sexual arousal elicited by film and fantasy matched in content. Australian Journal of Psychology, 49 (1), 1–5.
  • Kracauer, S. (1947) From Caligari to Hitler: A Psychological History of the German Film. Princeton University Press, Princeton, NJ.
  • Kracauer, S. (1960) Theory of Film: The Redemption of Physical Reality. Oxford University Press, New York, NY.
  • Kraft, R. N. (1991) Light and mind: Understanding the structure of film, in Cognition and the Symbolic Processes: Applied and Ecological Perspectives (eds R. R. Hoffman and D. S. Palermo), Lawrence Erlbaum, Hillsdale, NJ, pp. 351–370.
  • Krasner, D. (ed.) (2000) Method Acting Reconsidered: Theory, Practice, Future. St. Martin’s Press, New York, NY.
  • Krippendorff, K. H. (2004) Content Analysis: An Introduction to its Methodology, 2nd edn. Sage, Thousand Oaks, CA.
  • Kristen, S. and Dine Young, S. (2009) A foreign sound to your ear: The influence of Bob Dylan’s music on American and German-speaking fans. Popular Music and Society, 32 (2), 229–248.
  • Krugman, D. M. and Johnson, K. F. (1991) Differences in the consumption of traditional broadcast and VCR movie rentals. Journal of Broadcasting and Electronic Media, 35 (2), 213–232.
  • Kuriansky, J., Vallarelli, A., DelBuono, J., and Ortman, J. (2010) Cinematherapy: Usingmovie metaphors to explore real relationships in counseling and coaching, in The Cinematic Mirror for Psychology and Life Coaching (ed. M. B. Gregerson), Springer, New York, NY, pp. 89–122.
  • Laan, E., Everaerd, W., van Bellen, G., and Hanewald, G. (1994) Women’s sexual and emotional responses to male- and female-produced erotica. Archives of Sexual Behavior, 23 (2), 153–169.
  • Lambert, M. J. and Bergin, A. E. (1994) The effectiveness of psychotherapy, in Handbook of Psychotherapy and Behavior Change, 4th edn (eds A. E. Bergin and S. C. Garfield), John Wiley & Sons, Inc., New York, NY. pp. 143–189.
  • Larsen, S. and Larsen, R. (2002) Joseph Campbell: A Fire in the Mind. Inner Traditions, Rochester, VT.
  • Lawson, A. and Fouts, G. (2004) Mental Illness in Disney Animated Films. Canadian Journal of Psychiatry, 49 (5), 310–314.
  • Lax, E. (2000) Woody Allen: A Biography. Da Capo Press, Cambridge, MA.
  • Levine, M. P. and Harrison, K. (2009) Effects of media on eating disorders and body image, in Media Effects: Advances in Theory and Research, 3rd edn. (eds J. Bryant and M. B. Oliver), Routledge, Taylor & Francis, New York, NY, pp. 490–516.
  • Lewis, M., Haviland-Jones, J. M., and Barrett, L. F. (2008) Handbook of Emotion. Guilford Press, New York, NY.
  • Liebes, T. and Katz, E. (1990) The Export of Meaning: Cross-Cultural Readings of Dallas. Oxford University Press, New York, NY.
  • Lieblich, A., McAdams, D. P., and Josselson, R. (eds) (2004) Healing Plots: The Narrative Basis of Psychotherapy. American Psychological Association, Washington, DC.
  • Lincoln, A. E. and Allen, M. P. (2004) Double jeopardy in Hollywood: Age and gender in the careers of film actors, 1926–1999. Sociological Forum, 19 (4), 611–631.
  • Linz, D. and Donnerstein, E. (1994) Sex and violence in slasher films: A reinterpretation. Journal of Broadcasting & Electronic Media, 38 (12), 243–246.
  • Linz, D., Donnerstein, E., and Penrod, S. (1988) Effects of long-term exposure to violent and sexually degrading depictions of women. Journal of Personality and Social Psychology, 55 (5), 758–768.
  • LoBrutto, V. (2008) Martin Scorsese: A Biography. Praeger, Westport, CT.
  • Madison, R. J. and Schmidt, C. (2001) Talking Pictures: A Parents’ Guide to Using Movies to Discuss Ethics, Values, and Everyday Problems with Children. Running Press, Philadelphia, PA.
  • Mar, R. A. and Oatley, K. (2008) The function of fiction is the abstraction and simulation of social experience. Perspectives on Psychological Science, 3 (3), 173–192.
  • Marich, R. (2005) Marketing to Moviegoers: A Handbook of Strategies Used by Major Studios and Independents. Focal Press, Burlington, MA.
  • Martin, N. K. (2007) Sexy Thrills: Undressing the Erotic Thriller. University of Illinois Press, Chicago, IL.
  • Mastro, D. (2009) Effects of racial and ethnic stereotyping, in Media Effects: Advances in Theory and Research, 3rd edn (eds J. Bryant and M. B. Oliver), Routledge, Taylor & Francis, New York, NY, pp. 325–341.
  • Mathai, J. (1983) An acute anxiety state in an adolescent precipitated by viewing a horror movie. Journal of Adolescence, 6, 197–200.
  • Mauss, I. B., Levenson, R. W., McCarter, L., Wilhem, F. H., and Gross, J. J. (2005) The tie that binds? Coherence among emotion experience, behavior, and physiology. Emotion, 5 (2), 175–190.
  • Mayne, J. (1993) Cinema and Spectatorship. Routledge, New York, NY.
  • McAdams, D. P. (1993) The Stories We Live By: Personal Myths and the Making of the Self. Guilford Press, New York, NY.
  • McDonald, A. and Walter, G. (2009) Hollywood and ECT. International Review of Psychiatry, 21 (3), 200–206.
  • McGilligan, P. (1994) Jack’s Life: A Biography of Jack Nicholson. W. W. Norton, New York, NY.
  • McGinn, C. (2005) The Power of Movies: How Screen and Mind Interact. Pantheon Books, New York, NY.
  • McGowan, T. and Kunkle, S. (eds) (2004) Lacan and Contemporary Film. Other Press, New York, NY.
  • McIntosh, W. D., Murray, J. D., Murray, R. M., and Manian, S. (2003) What’s so funny about a poke in the eye? The prevalence of violence in comedy films and its relation to social and economic threat in the United States, 1951–2000. Mass Communication & Society, 6 (4), 345–360.
  • McLuhan, M. (1964) Understanding Media: The Extensions of Man. McGraw-Hill Book, New York, NY.
  • McMillan, T. (1991) The Wizard of Oz, in The Movie that Changed my Life (ed. D. Rosenberg), Viking Penguin, New York, pp. 253–265.
  • Metz, C. (1974) Film Language: A Semiotics of the Cinema. Oxford University Press, New York, NY.
  • Metz, C. (1982) The Imaginary Signifier: Psychoanalysis and the Cinema. Indiana University Press, Bloomington, IN.
  • Modleski, T. (1988) The Women who Knew Too Much: Hitchcock and Feminist Theory. Routledge, New York, NY.
  • Molitor, F. and Sapolsky, B. S. (1993) Sex, violence, and victimization in slasher films. Journal of Broadcasting & Electronic Media, 37 (2), 233–242.
  • Molitor, F. and Sapolsky, B. S. (1994) Violence towards women in slasher films: A reply to Linz and Donnerstein. Journal of Broadcasting & Electronic Media, 38 (12), 247–249.
  • Morley, D. (1980) The Nationwide Audience: Structure and Decoding. British Film Institute, London.
  • Morton, A. (2010) Angelina: An Unauthorized Biography. St. Martin’s Press, New York, NY.
  • Mulvey, L. (1986) Visual pleasure and narrative cinema, in Narrative, Apparatus, Ideology (ed. P. Rosen), Columbia University Press, New York, NY (pp. 198–209).
  • Munsterberg, H. (1970, 1916) The Film: A Psychological Study. Dover Publications, Inc., New York, NY. (1916, The Photoplay).
  • Murphy, M. (1996) ‘The Wizard of Oz’ as cultural narrative and conceptual model for psychotherapy. Psychotherapy, 33 (4), 531–538.
  • Murray, L. (1979) The Celluloid Persuasion: Movies and the Liberal Arts. William B. Eerdmans, Grand Rapids, MI.
  • Murray, R. L. and Heumann, J. K. (2009) Ecology and Popular Film: Cinema on the Edge. State University of New York Press, Albany, NY.
  • Nabi, R. L. and Oliver, M. B. (eds) (2009) The Sage Handbook of Media Processes and Effects. Sage, Thousand Oaks, CA.
  • Nasar, S. (2001) A Beautiful Mind: The Life of Mathematical Genius and Nobel Laureate John Nash. Touchstone, New York.
  • Nettle, D. (2001) Strong Imagination: Madness, Creativity, and Human Nature. Oxford University Press, New York, NY.
  • Niemiec, R. M. and Wedding, D. (2008) Positive Psychology at the Movies: Using Film to Build Virtues and Character Strengths. Hogrefe & Huber, Cambridge, MA.
  • Oliver, M. B. (1993) Adolescents’ enjoyment of graphic horror: Effects of viewers’ attitudes and portrayals of victim. Communication Research, 20 (1), 30–50.
  • Oliver, M. B. (2008) Tender affective states as predictors or entertainment preferences. Journal of Communication, 58, 40–61.
  • Oliver, M. B. and Woolley, J. K. (2011) Tragic and poignant entertainment: The gratifications of meaningfulness as emotional response, in The Routledge Handbook of Emotions and Mass Media (eds K. Döveling, C. von Scheve, and E. A. Konijn), Routledge, Taylor & Francis, New York, NY, pp. 134–147.
  • Orchowski, L. M., Spickard, B. A., and McNamara, J. R. (2006) Cinema and the valuing of psychotherapy: Implications for clinical practice. Professional Psychology: Research and Practice, 37 (5), 506–514.
  • Packer, S. (2007) Movies and the Modern Psyche. Praeger, Westport, CT.
  • Paddock, J. R., Terranova, S., and Giles, L. (2001) SASB goes Hollywood: Teaching personality theories through movies. Teaching of Psychology, 28 (2), 117–121.
  • Page, J. and Plant, R. (1971) Stairway to Heaven. On Led Zeppelin IV [CD]. New York: Atlantic.
  • Pardeck, J. T. (1993) Using Bibliotherapy in Clinical Practice: A Guide to Self-Help Books. Greenwood Press, Westport, CT.
  • Payne, D. (1989a) Coping with Failure: The Therapeutic Use of Rhetoric. University of South Carolina Press, Columbia, SC.
  • Payne, D. (1989b) The Wizard of Oz: Therapeutic rhetoric in a contemporary media ritual. Quarterly Journal of Speech, 75, 25–39.
  • Perlin, M. L. (1991) Power imbalances in the rapeutic relationships, in The Hatherleigh Guide to Psychotherapy. Hatherleigh Press, New York, NY, pp. 215–229.
  • Perloff, R. M. (2009) Mass media, social perception, and the third-person effect, in Media Effects: Advances in Theory and Research, 3rd edn (eds J. Bryant and M. B. Oliver), Routledge, Taylor & Francis, New York, pp. 252–268.
  • Perse, E. M. (2001) Media Effects and Society. Lawrence Erlbaum, Mahwah, NJ.
  • Perse, E. M. and Rubin, A. M. (1990) Chronic loneliness and television use. Journal of Broadcasting & Electronic Media, 34 (1), 37–53.
  • Peterson, C. and Seligman, M. (2004) Character Strengths and Virtues: A Handbook and Classification. Oxford University Press, New York, NY.
  • Philaretou, A. G. (2006) Learning and laughing about gender and sexuality through humor: The Woody Allen case. The Journal of Men’s Studies, 14 (2), 133–144.
  • Philo, G. (1996) Media and Mental Distress. Addison Wesley Longman, New York, NY.
  • Pirkis, J., Blood, R. W., Francis, C., and McCallum, K. (2006) On-screen portrayals of mental illness: Extent, nature, and impacts. Journal of Health Communication, 11 (5), 523–541.
  • Plantinga, C. (1999) The scene of empathy and the human face on film, in Passionate Views: Film, Cognition, and Emotion (eds C. Plantinga, and G. M. Smith), The John Hopkins University Press, Baltimore, MD, pp. 239–255.
  • Plantinga, C. (2009) Moving Viewers: American Film and the Spectator’s Experience. University of California Press, Berkeley, CA.
  • Plantinga, C. and Smith, G. M. (eds) (1999) Passionate Views: Film, Cognition, and Emotion. The John Hopkins University Press, Baltimore, MD.
  • Pope, K. S. and Vasquez, M. J. T. (1998) Ethics in Psychotherapy and Counseling: A Practical Guide, 2nd edn. Jossey-Bass, San Francisco, CA.
  • Postman, N. (1984) Amusing Ourselves to Death: Public Discourse in the Age of Show Business. Viking Penguin, New York, NY.
  • Potter, W. J. and Riddle, K. (2007) A content analysis of the media effects literature. Journalism & Mass Communication Quarterly, 84 (1), 90–104.
  • Pouliot, L. and Cowen, P. S. (2007) Does perceived realism really matter in media effects? Media Psychology, 9, 241–259.
  • Pritzker, S. R. (2009) Marketing movies: An introduction to the special issue. Psychology & Marketing, 26 (5), 397–399.
  • Rabkin, L. Y. (1998) The Celluloid Couch: An Annotated International Filmography of the Mental Health Professional in the Movies and Television from the Beginning to 1990. Scarecrow Press, Lanham, MD.
  • Radway, J. (1984) Reading the Romance: Women, Patriarchy and Popular Literature, 1st edn. University of North Carolina Press, Chapel Hill, NC.
  • Radway, J. (1991) Reading the Romance: Women, Patriarchy and Popular Literature, 2nd edn. University of North Carolina Press, Chapel Hill, NC.
  • Ray, R. B. (1985) A Certain Tendency of the Hollywood Cinema, 1930–1980. Princeton University Press, Princeton, NJ.
  • Rebello, S. (1990) Alfred Hitchcock and the Making of Psycho. Harper Perennial, New York, NY.
  • Rendleman, T. (2008) ‘I know y’all think I’m pretty square, but I believe what I believe’: Images of Evangelicals in American film. Journal of Media and Religion, 7, 271–291.
  • Ricoeur, P. (1970) Freud and Philosophy: An Essay on Interpretation. Yale University Press, New Haven, CT.
  • Ricoeur, P. (1974) The Conflict of Interpretations. Northwestern University Press, Evanston, IL.
  • Ringel, S. (2004) Talk therapy: The representation of insight in the cinema, in Celluloid Couches, Cinematic Clients: Psychoanalysis and Psychotherapy in the Movies (ed. J. Brandell), State University of New York Press, Albany, NY, pp. 169–190.
  • Roberts, D. F. and Foehr, U. G. (2004) Kids and Media in America. Cambridge University Press, Cambridge.
  • Robinson, D. J. (2003) Reel Psychiatry: Movie Portrayals of Psychiatric Conditions. Rapid Psychler Press, Port Huron, MI.
  • Robinson, D. J. (2009) Reel psychiatry. International Review of Psychiatry, 21 (3), 245–260.
  • Rosengren, K. E., Wenner, L. A., and Palmgreen, P. (eds) (1985) Media Gratifications Research: Current Perspectives. Sage, Beverly Hills, CA.
  • Roskos-Ewoldsen, D. R. and Roskos-Ewoldsen, B. (2009) Current research in media priming, in The Sage Handbook of Media Processes and Effects (eds R. L. Nabi and M. B. Oliver), Sage, Thousand Oaks, CA, pp. 177–192.
  • Rothenberg, A. (1990) Creativity and Madness: New Findings and Old Stereotypes. The Johns Hopkins University Press, Baltimore, MD.
  • Rottenberg, J., Ray, R. D., and Gross, J. J. (2007) Emotion elicitation using films, in Handbook of Emotion Elicitation and Assessment (eds J. A. Coan and J. B. Allen), Oxford University Press, New York, NY, pp. 9–28.
  • Rubin, A. M. (2009) Uses-and-gratifications perspective on media effects, in Media Effects: Advances in Theory and Research, 3rd edn. (eds J. Bryant and M. B. Oliver), Routledge, Taylor & Francis, New York, NY, pp. 165–184.
  • Rubin, D. C. (1996) Remembering our Past: Studies in Autobiographical Memory. Cambridge University Press, Cambridge.
  • Rubin, L. C. (2008) Popular Culture in Counseling, Psychotherapy, and Play-Based Interventions. Springer, New York, NY.
  • Ryan, M. (2008) Cultural Studies: An Anthology. John Wiley & Sons, Inc., Malden, MA.
  • Sacks, O. (1987) The Man Who Mistook his Wife for a Hat. Harper Perennial, New York, NY.
  • Sacks, O. (2009) The Mind’s Eye. Knopf, New York, NY.
  • Sarafino, E. P. (2008) Health Psychology: Biopsychosocial Interactions. John Wiley & Sons, Inc., Hoboken, NJ.
  • Schank, R. C. and Abelson, R. (1977) Scripts, Plans, Goals, and Understanding: An Inquiry into Human Knowledge Structures. Lawrence Erlbaum, Hillsdale, NJ.
  • Schill, T., Harsch, J., and Ritter, K. (1990) Countertranference in the movies: Effects on beliefs about psychiatric treatment. Psychological Reports, 67, 399–402.
  • Schneider, I. (1987) The theory and practice of movie psychiatry. American Journal of Psychiatry, 144 (8), 996–1002.
  • Schore, A. N. (2003) Affect Regulation and the Repair of the Self. W. W. Norton, New York, NY.
  • Schultz, H. T. (2005) Hollywood’s portrayal of psychologists and psychiatrists: Gender and professional training differences, in Featuring Females: Feminist Analyses of Media (eds E. Cole and J. H. Daniel), APA Books, Washington, DC, pp. 101–112.
  • Seligman, M. and Csikzentmihalyi, M. (2000) Positive psychology: An introduction. American Psychologist, 55 (1), 5–14.
  • Shaw, R. L. (2004) Making sense of violence: A study of narrative meaning. Qualitative Research in Psychology, 1, 131–151.
  • Shedler, J. (2010) The efficacy of psychodynamic psychotherapy. American Psychologist, 65 (2), 98–109.
  • Siegel, J. (1999) Political correctness run amok? APA Monitor, 30 (1).
  • Silverman, K. (1986) Suture, in Narrative, apparatus, ideology: A film theory reader (ed. P. Rosen), Columbia University Press, New York, NY, pp. 219–235.
  • Simonton, D. K. (2011) Great Flicks: Scientific Studies of Cinematic Creativity and Aesthetics. Oxford University Press, New York, NY.
  • Singer, D. G. and Singer, J. L. (eds) (2001) Handbook of Children and the Media. Sage, Thousand Oaks, CA.
  • Singer, D. G. and Singer, J. L. (2005) Imagination and Play in the Electronic Age. Harvard University Press, Cambridge, MA.
  • Singh, G. (2009) Film after Jung: Post-Jungian Approaches to Film Theory. Routledge/Taylor & Francis, New York, NY.
  • Sleek, S. (1998) How are psychologists portrayed on screen? APA Monitor, 29 (11).
  • Smith, J. M. (1974) The movie as medium for the message (or movies, dreams, and schizophrenic thinking). Perspectives in Psychiatric Care, 12 (4), 157–164.
  • Smith, S. L. and Granados, A. D. (2009) Content patterns and effects surrounding sex-role stereotyping on television and film, in Media Effects: Advances in Theory and Research, 3rd edn (eds J. Bryant and M. B. Oliver), Routledge, Taylor & Francis, New York, NY, pp. 342–361.
  • Solomon, G. (2001) Reel Therapy: How Movies Inspire You to Overcome Life’s Problems. Lebhar-Friedman Books, New York, NY.
  • Sparks, G. G. (2010) Media Effects Research: A Basic Overview, 3rd edn. Wadsworth, Cengage Learning, Boston, MA.
  • Sparks, G. G. and Cantor, J. (1986) Developmental differences in fright responses to a television program depicting a character transformation. Journal of Broadcasting & Electronic Media, 30 (3), 309–323.
  • Sparks, G. G., Sparks, C. W., and Sparks, E. A. (2009) Media violence, in Media Effects: Advances in Theory and Research, 3rd edn. (eds J. Bryant and M. B. Oliver), Routledge, Taylor & Francis Group, New York, NY, pp. 269–286.
  • Spoto, D. (1983) The Dark Side of Genius: The Life of Alfred Hitchcock. Little, Brown, Boston, MA.
  • Staiger, J. (1992) Interpreting Films: Studies in the Historical Reception of American Cinema. Princeton University Press, Princeton, NJ.
  • Staiger, J. (2000) Perverse Spectators: The Practices of Film Reception. New York University Press, New York, NY.
  • Stein, H. H. (1993) A screen memory: My recollections and distortions of the 1950 film, Three Came Home. Psychoanalytic Quarterly, 62, 109–113.
  • Stein, H. H. (2003) Good psychoanalytic psychotherapy in film: Three unorthodox examples. Psychoanalytic Psychology, 20 (4), 701–709.
  • Sternberg, R. J. and Sternberg, K. (2011) Cognitive Psychology, 6th edn. Wadsworth Cengage Learning, Belmont, CA.
  • Sternberg, R. J. and Grigorenko, E. L. (2001) Unified psychology. American Psychologist, 56 (12), 1069–1079.
  • Stokes, M. and Maltby, R. (eds) (1999) Identifying Hollywood’s Audiences: Cultural Identity and the Movies. British Film Institute, London.
  • Stoolmiller, M., Gerrard, M., Sargent, J. D., Worth, K. A., and Gibbons, F. X. (2010) R-rated movie viewing, growth in sensation-seeking and alcohol initiation: Reciprocal and moderation effects. Prevention Science, 11, 1–13.
  • Storey, J. (2009) Cultural Theory and Popular Culture: An Introduction, 5th edn. Pearson Education, Upper Saddle River, NJ.
  • Strasburger, V. C. and Wilson, B. J. (2002) Children, Adolescents, and the Media. Sage, Thousand Oaks, CA.
  • Sullivan, H. S. (1953) The Interpersonal Theory of Psychiatry. W. W. Norton New York, NY.
  • Surette, R. (2002) Self-reported copycat crime among a population of serious and violent juvenile offenders. Crime & Delinquency, 48 (1), 46–69.
  • Sutherland, J. and Feltey, K. (2009) Cinematic Sociology: Social Life in Film. Pine Forge Press, Newbury Park, CA.
  • Tamborini, R. and Stiff, J. (1987) Predictors of horror film attendance and appeal: An analysis of the audience for frightening films. Communication Research, 14 (4), 415–436.
  • Tan, E. S. (1996) Emotion and the Structure of the Narrative Film: Film as an Emotion Machine. Lawrence Erlbaum, Mahwah, NJ.
  • Tavris, C. and Wade, C. (2001) Psychology in Perspective, 3rd edn. Prentice-Hall, Upper Saddle River, NJ.
  • Taylor, F. J. (2002) Big boom in outdoor movies, in Moviegoing in America: A Sourcebook in the History of Film Exhibition (ed. G. A. Waller), Blackwell Publishing Inc., Malden, MA, pp. 247–253.
  • Television Facts and Statistics, 1939 to 2000 (n.d.) Television History. Available from http://tvhistory.tv/facts-stats.htm (accessed July 27, 2011).
  • Tenyi, T. and Csizyne, C. N. (1993) The case of the crisis of adolescent identity induced by the movie The Exorcist. Psychiatria Danubina, 5 (3-4), 303–305.
  • Tesser, A., Millar, K., and Wu, C. H. (1988) On the perceived functions of movies. Journal of Psychology, 122 (5), 441–449.
  • Titus-Ernstoff, L., Dalton, M. A., Adachi-Mejia, A. M., Longacre, M. R., and Beach, M. L. (2008) Longitudinal study of viewing smoking in movies and initiation of smoking by children. Pediatrics, 121 (1), 15–21.
  • Tomarken, A. J., Davidson, R. J., and Henriques, J. B. (1990) Resting frontal brain asymmetry predicts affective responses to films. Journal of Personality and Social Psychology, 59 (4), 791–801.
  • Tompkins, J. P. (ed.) (1980) Reader-Response Criticism from Formalism to Post-Structuralism. Johns Hopkins University Press, Baltimore, MD.
  • Trend, D. (2007) The Myth of Media Violence: A Critical Introduction. Blackwell Publishing, Inc., Malden, MA.
  • Truffaut, F. (1985) Hitchcock. Touchstone, New York, NY.
  • Turley, J. M. and Derdeyn, A. P. (1990) Use of a horror film in psychotherapy. Journal of the American Academy of Child and Adolescent Psychiatry, 29 (6), 942–945.
  • Turner, M. (1996) The Literary Mind: The Origins of Thought and Language. Oxford University Press, New York, NY.
  • Twain, M. and Cooley, T. (ed.) (1998) The Adventures of Huckleberry Finn, 3rd edn. W. W. Norton, New York, NY.
  • Van Belle, D. A. and Mash, K. M. (2009) A Novel Approach to Politics: Introducing Political Science through Books, Movies, and Popular Culture. CQ Press, Washington, DC.
  • Wade, C. and Tavris, C. (2005) Invitation to Psychology, 3rd edn, Pearson Education, Upper Saddle River, NJ.
  • Wahl, O. (1995) Media Madness: Public Images of Mental Illness. Rutgers University Press, New Brunswick, NJ.
  • Wahl, O., Wood, A., Zaveri, P., Drapalski, A., and Mann, B. (2003) Mental illness depiction in children’s films. Journal of Community Psychology, 31 (6), 553–560.
  • Walker, J. (1993) Couching Resistance: Women, Film, and Psychoanalytic Psychiatry. University of Minnesota Press, Minneapolis, MN.
  • Waters, R. (1973) Eclipse. On The Dark Side of the Moon [CD]. London: Abbey Road Studios.
  • Weaver, J. B. and Tamborini, R. (1996) Horror Films: Current Research on Audience Preferences and Reactions. Lawrence Erlbaum, Mahwah, NJ.
  • Wedding, D., Boyd, M. A., and Niemiec, R. M. (2010) Movies and Mental Illness: Using Films to Understand Psychopathology, 3rd edn. Hogrefe, Cambridge, MA.
  • Weissman, S. (2008) Chaplin: A Life. Arcade, New York, NY.
  • Welsh, A. (2010) On the perils of living dangerously in the slasher horror film: Gender differences in the association between sexual activity and survival. Sex Roles, 62 (11-12), 762–773.
  • Werner, H. (1980) Comparative Psychology of Mental Development. International Universities Press, New York, NY.
  • Werner, H. and Kaplan, B. (1984) Symbol Formation. Lawrence Erlbaum, Hillsdale, NJ.
  • Wertheimer, M. (1987) A Brief History of Psychology, 3rd edn Holt, Reinhart, and Winston, New York, NY.
  • White, D. and Robinson, J. (1991, June 14) The Great Debate over Thelma and Louise. The Boston Globe, 29 and 36.
  • White, M. and Epston, D. (1990) Narrative Means to Therapeutic Ends. W. W. Norton, New York, NY.
  • Wilson, B. J., Smith, S. L., Potter, W. J., Kunkel, D., Linz, D., Colvin, C. M., and Donnerstein, E. (2002) Violence in children’s television programming: Assessing the risks. Journal of Communication, 52, 5–35.
  • Wilson, W. and Hunter, R. (1983) Movie-inspired violence. Psychological Reports, 53, 435–441.
  • Wilson, W. and Liedtke, V. (1984) Movie-inspired sexual practices. Psychological Reports, 54, 328.
  • Winick, C. (1978) Deviance and Mass Media. Sage, Beverly Hills, CA.
  • Wiseman, R. (2002) Queen Bees and Wannabes: Helping your Daughter Survive Cliques, Gossip, Boyfriends and other Realities of Adolescence. Three Rivers Press, New York.
  • Wolfenstein, M. and Leites, N. (1970) Movies: A Psychological Study. Atheneum, New York, NY.
  • Wollen, P. (1976) The auteur theory, in Movies and Methods, Vol. 1 (ed. B. Nichols), Berkeley University Press, Berkeley, CA, pp. 529–542.
  • Wonderly, M. (2009) Children’s film as an instrument of moral education. Journal of Moral Education, 38 (1), 1–15.
  • Worth, K. A., Chambers, J. G., Nassau, D. H., Rakhra, B. K., and Sargent, J. D. (2008) Exposure of US adolescents to extremely violent movies. Pediatrics, 122, 306–312.
  • Wright, C. R. (1974) Functional analysis and mass communication revisited, in The Uses of Mass Communications: Current Perspectives on Gratifications Research (eds J. G. Blumler and E. Katz), Sage, Beverly Hills, CA, pp. 197–212.
  • Yearly Box Office (2011) Box Office Mojo. Available from http://boxofficemojo.com/ yearly (accessed April 13, 2011).
  • Young, S. (1992) Self-Reflection: A Proposal for a New Approach to Viewing Film (unpublished master’s thesis) Clark University, Worcester, MA.
  • Zillmann, D. (1988) Mood management through communication choices. American Behavioral Scientist, 31 (3), 327–340.
  • Zillmann, D. (2000) Humor and comedy, in Media Entertainment: The Psychology of its Appeal (eds D. Zillmann and P. Vorderer), Lawrence Erlbaum, Mahwah, NJ, pp. 37–58.
  • Zillmann, D. (2006) Empathy: Affective reactivity to others’ emotional experiences, in Psychology of Entertainment (eds J. Bryant and P. Vorderer), Lawrence Erlbaum, New York, NY, pp. 151–181.
  • Zillmann, D. (2011) Mechanisms of emotional reactivity to media entertainments. In The Routledge Handbook of Emotions and Mass Media (eds K. Döveling, C. von Scheve, and E. A. Konijn), Routledge, Taylor & Francis, New York, NY, pp. 101–115.
  • Zillmann, D. and Bryant, J. (eds) (1985) Selective Exposure to Communication. Lawrence Erlbaum, Hillsdale, NJ.
  • Zillmann, D. and Vorderer, P. (eds) (2000) Media Entertainment: The Psychology of its Appeal. Lawrence Erlbaum, Mahwah, NJ.
  • Zimmerman, J. (2003) People like Ourselves: Portrayals of Mental Illness in the Movies. The Scarecrow Press, Oxford.
الرجوع إلى الصفحة الرئيسية للكتاب

جميع الحقوق محفوظة لمؤسسة هنداوي © ٢٠٢٤