قراءات إضافية

  • Abel, Elizabeth. Sign of the Times: The Visual Politics of Jim Crow. Berkeley: University of California Press, 2010.
  • Alsultany, Evelyn. Arabs and Muslims in the Media: Race and Representation after 9/11. New York: New York University Press, 2012.
  • Baudrillard, Jean. The Conspiracy of Art: Manifestos, Interviews, Essays. Cambridge, MA: Semiotext(e), 2005.
  • Baudrillard, Jean. Simulacra and Simulation. Ann Arbor: University of Michigan Press, 1994.
  • Berger, Martin. Sight Unseen: Whiteness in American Visual Culture. Berkeley: University of California Press, 2005.
  • Brown, Elspeth H. The Corporate Eye: Photography and the Rationalization of American Commercial Culture, 1884–1929. Baltimore: Johns Hopkins University Press, 2005.
  • Brown, Elspeth H., and Thy Phu, eds. Feeling Photography. Durham: Duke University Press, 2014.
  • Brown, Jayna. Babylon Girls: Black Women Performers and the Shaping of the Modern. Durham: Duke University Press, 2008.
  • Buszek, Maria Elena. Pin-up Grrrls: Feminism, Sexuality, Popular Culture. Durham: Duke University Press, 2006.
  • Butler, Judith. Bodies that Matter. London: Routledge, 1993.
    Butler, Judith. Gender Trouble. 1996; London: Routledge, 2006.
  • Cartwright, Lisa. Screening the Body: Tracing Medicine’s Visual Culture. Minneapolis: University of Minnesota Press, 1995.
  • Cheng, Anne Anlin. Ornamentalism. New York: Oxford University Press, 2019.
  • Cheng, Anne Anlin. Second Skin: Josephine Baker and the Modern Surface. Oxford: Oxford University Press, 2011.
  • Chun, Wendy Hui-Kyong. Updating to Remain the Same: Habitual New Media. Cambridge, MA: MIT Press, 2016.
  • Chute, Hilary. Graphic Women: Life Narrative and Contemporary Comics. New York: Columbia University Press, 2010.
  • Cornell, Lauren, and Ed Halter, eds. Mass Effect: Art and the Internet in the Twenty-First Century. Cambridge, MA: MIT Press; New York: New Museum, 2015.
  • Crimp, Douglas. On the Museum’s Ruins. Cambridge, MA: MIT Press, 1993.
  • Dibazar, P., and J. A. Naeff. Visualizing the Street: New Practices of Documenting, Navigating and Imagining the City. Amsterdam: Amsterdam University Press, 2018.
  • Drucker, Johanna. Graphesis: Visual Forms of Knowledge Production. Cambridge, MA: Harvard University Press, 2014.
  • Finkelstein, Avram. After Silence: A History of AIDS through Its Images. Berkeley: University of California Press, 2018.
  • Friedberg, Anne. Window Shopping: Cinema and the Postmodern. Berkeley: University of California Press, 1994.
  • Hartman, Saidiya. Wayward Lives, Beautiful Experiments: Intimate Histories of Social Upheaval. New York: W. W. Norton, 2019.
  • hooks, bell. Art on My Mind: Visual Politics. New York: New Press, 1995.
  • Jay, Martin. Downcast Eyes: The Denigration of Vision in Twentieth-Century French Thought. Berkeley: University of California Press, 1993.
  • Jones, Amelia. Seeing Differently: A History and Theory of Identification and the Visual Arts. London: Routledge, 2012.
  • Jones, Caroline. The Global Work of Art: World’s Fairs, Biennials, and the Aesthetics of Experience. Cambridge, MA: MIT Press, 2017.
  • Kina, Laura, and Jan Christian Bernabe, eds. Queering Contemporary Asian American Art. Seattle: University of Washington Press, 2017.
  • Lima, Manuel. Visual Complexity: Mapping Patterns of Information. New York: Princeton Architectural Press, 2011.
  • McCarthy, Andrea. Ambient Television: Visual Culture and Public Space. Durham: Duke University Press, 2001.
  • McInnis, Maurie Dee. Slaves Waiting for Sale: Abolitionist Art and the American Slave Trade. Chicago: University of Chicago Press, 2011.
  • Mirzoeff, Nicholas, ed. Visual Culture Reader. 1998; London: Routledge, 2013.
  • Modleski, Tania. Loving with a Vengeance: Mass-Produced Fantasies for Women. 2nd ed. New York: Routledge, 2016.
  • Mogk, Marja, ed. Different Bodies: Essays on Disability in Film and Television. Jefferson, NC: McFarland, 2013.
  • Moten, Fred. Black and Blur. Durham: Duke University Press, 2017.
    Mulvey, Laura. Visual and Other Pleasures. 1989; London: Palgrave, 2009.
  • Muñoz, José Esteban. Disidentifications: Queers of Color and the Performance of Politics. Minneapolis: University of Minnesota Press, 1998.
  • Pham, Minh-Ha T. Asians Wear Clothes of the Internet: Race, Gender, and the Work of Personal Style Blogging. Durham: Duke University Press, 2015.
  • Pollock, Griselda. Vision and Difference: Femininity, Feminism and Histories of Art. London: Routledge, 1988.
  • Raiford, Leigh, and Heike Raphael-Hernandez. Migrating the Black Body: The African Diaspora and Visual Culture. Seattle: University of Washington Press, 2017.
  • Sholette, Gregory. Dark Matter: Art and the Politics of Enterprise Culture. New York: Pluto Press, 2015.
  • Siebers, Tobin. Disability Aesthetics. Ann Arbor: University of Michigan Press, 2010.
  • Stavans, Ilan, and Jorge J. E. Gracia, eds. Thirteen Ways of Looking at Latino Art. Durham: Duke University Press, 2014.
  • Stubblefield, Thomas. 9/11 and the Visual Culture of Disaster. Bloomington: Indiana University Press, 2015.
  • Sturkin, Marita. Tourists of History: Memory, Kitsch, and Consumerism from Oklahoma City to Ground Zero. Durham: Duke University Press, 2007.
  • Thompson, Krista A. Shine: The Visual Economy of Light in African Diasporic Aesthetic Practice. Durham: Duke University Press, 2015.
  • Vogel, Shane. The Scene of Harlem Cabaret: Race, Sexuality, Performance. Chicago: University of Chicago Press, 2009.
  • Whaley, Deborah Elizabeth. Black Women in Sequence: Re-Inking Comics, Graphic Novels, and Anime. Seattle: University of Washington Press, 2016.
  • Williams, Linda. Hard Core: Power, Pleasure, and the “Frenzy of the Visible.” Berkeley: University of Californian Press, 1989.
  • Williams, Linda. Screening Sex. Durham: Duke University Press, 2008.

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