قراءات إضافية | العبقرية: مقدمة قصيرة جدًّا

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Daniel Coyle, The Talent Code (London: Random House, 2009).
H. J. Eysenck, Genius: The Natural History of Creativity (Cambridge: Cambridge University Press, 1995).
Francis Galton, Hereditary Genius: An Inquiry into Its Laws and Consequences (Amherst: Prometheus, 2006).
M. J. A. Howe, J. W. Davidson, and J. A. Sloboda, ‘Innate Talents: Reality or Myth?’, Behavioral and Brain Sciences, 21 (1998): 399–442.
Penelope Murray (ed.), Genius: The History of an Idea (Oxford: Blackwell, 1989).
Andrew Steptoe, ‘Mozart: Resilience Under Stress’, in Genius and the Mind: Studies of Creativity and Temperament, ed. Andrew Steptoe (Oxford: Oxford University Press, 1998).

Mihaly Csikszentmihalyi, Creativity: Flow and the Psychology of Discovery and Invention (New York: HarperCollins, 1996).
Victor Goertzel and Mildred Goertzel, Cradles of Eminence (London: Constable, 1962).
R. Ochse, Before the Gates of Excellence: The Determinants of Creative Genius (Cambridge: Cambridge University Press, 1990).

Robert Kanigel, The Man Who Knew Infinity: A Life of the Genius Ramanujan (London: Scribners, 1991).
Andrew Robinson, The Man Who Deciphered Linear B: The Story of Michael Ventris (London: Thames & Hudson, 2002).
Dean Keith Simonton, Genius, Creativity and Leadership: Historiometric Inquiries (Cambridge, Mass.: Harvard University Press, 1984).
John Tusa, On Creativity: Interviews Exploring the Process (London: Methuen, 2003).

Catharine M. Cox, The Early Mental Traits of Three Hundred Geniuses, vol. 2 of Genetic Studies of Genius, ed. L. M. Terman (Stanford: Stanford University Press, 1926).
James R. Flynn, What Is Intelligence?: Beyond the Flynn Effect (Cambridge: Cambridge University Press, 2007).
David Lubinski and Camilla Persson Benbow, ‘Study of Mathematically Precocious Youth After 35 Years: Uncovering Antecedents for the Development of Math-Science Expertise’, Perspectives on Psychological Science, 1 (2006): 316–45.
Robert J. Sternberg (ed.), Handbook of Creativity (Cambridge: Cambridge University Press, 1999).
L. M. Terman, ‘Psychological Approaches to the Biography of Genius’, in Creativity: Selected Readings, ed. P. E. Vernon (London: Penguin, 1970).

Nancy C. Andreasen, The Creating Brain: The Neuroscience of Genius (New York: Dana Press, 2005).
Richard M. Berlin (ed.), Poets on Prozac: Mental Illness, Treatment and the Creative Process (Baltimore: Johns Hopkins University Press, 2008).
Noel L. Brann, The Debate over the Origin of Genius during the Italian Renaissance: The Theories of Supernatural Frenzy and Natural Melancholy in Accord and in Conflict on the Threshold of the Scientific Revolution (Leiden: Brill, 2002).
Kay Redfield Jamison, Touched with Fire: Manic-Depressive Illness and the Artistic Temperament (New York: Free Press, 1994).
Royal Academy of Arts (no ed.), The Real Van Gogh: The Artist and His Letters (London: Royal Academy of Arts, 2010).
Andrew Steptoe, ‘Artistic Temperament in the Italian Renaissance: A Study of Giorgio Vasari’s Lives’, in Genius and the Mind: Studies of Creativity and Temperament, ed. Andrew Steptoe (Oxford: Oxford University Press, 1998).

Banesh Hoffmann, Albert Einstein: Creator and Rebel (New York: Viking, 1972).
Daniel Nettle, Personality: What Makes You the Way You Are (Oxford: Oxford University Press, 2007).
Robert W. Weisberg, Creativity: Understanding Innovation in Problem Solving, Science, Invention, and the Arts (Hoboken: John Wiley, 2006).

Peter Medawar, Pluto’s Republic (Oxford: Oxford University Press, 1982).
Dean Keith Simonton, Creativity in Science: Chance, Logic, Genius, and Zeitgeist (Cambridge: Cambridge University Press, 2004).
C. P. Snow, The Two Cultures: and A Second Look (Cambridge: Cambridge University Press, 1964).
Gunther S. Stent, ‘Meaning in Art and Science’, in The Origins of Creativity, ed. Karl H. Pfenninger and Valerie R. Shubik (New York: Oxford University Press, 2001).

Frederic Lawrence Holmes, Investigative Pathways: Patterns and Stages in the Careers of Experimental Scientists (Newhaven: Yale University Press, 2004).
David Perkins, The Eureka Effect: The Art and Logic of Breakthrough Thinking (New York: Norton, 2000).
Andrew Robinson, Writing and Script: A Very Short Introduction (Oxford: Oxford University Press, 2009).
Alan J. Rocke, ‘Hypothesis and Experiment in the Early Development of Kekulé’s Benzene Theory’, Annals of Science, 42 (1985): 355–81.

David W. Galenson, Old Masters and Young Geniuses: The Two Life Cycles of Artistic Creativity (Princeton: Princeton University Press, 2008).
Howard Gardner, Creating Minds: An Anatomy of Creativity Seen Through the Lives of Freud, Einstein, Picasso, Stravinsky, Eliot, Graham, and Gandhi (New York: Basic Books, 1993).
J. R. Hayes, ‘Cognitive Processes in Creativity’, in Handbook of Creativity, ed. J. A. Glover, R. R. Ronning, and C. R. Reynolds (New York: Plenum, 1989).
Arthur Koestler, The Act of Creation (London: Hutchinson, 1964).

Harold Bloom, Genius: A Mosaic of One Hundred Exemplary Creative Minds (London: Fourth Estate, 2002).
Leo Braudy, The Frenzy of Renown: Fame and Its History (New York: Vintage, 1997).
Robert Currie, Genius: An Ideology in Literature (London: Chatto & Windus, 1974).
Burton Feldman, The Nobel Prize: A History of Genius, Controversy, and Prestige (New York: Arcade, 2000).
Colin Martindale, The Clockwork Muse: The Predictability of Artistic Change (New York: Basic Books, 1990).
Gerald Reitlinger, The Economics of Taste: The Rise and Fall of Picture Prices 1760–1960 (London: Barrie and Rockcliff, 1961).
Aaron Sachs, The Humboldt Current: A European Explorer and His American Disciples (Oxford: Oxford University Press, 2007).